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2020 Archive
Season
2023-2024
2022-2023
2021-2022
Bonus Material
2022–2023
Issue One: Catch As Catch Can
November 20, 2022
Catching Catch Again
Julia Izumi
In Catch As Catch Can, Family ties bind, bend, and break
Andrea Hiebler
What Remains
Jesse Jae Hoon
Issue Two: KPOP
December 1, 2022
Broadway wasn’t ready for KPOP. But was KPOP ready for Broadway?
Cheeyang Ng
A reflection on KPOP: Have We Made it Yet?
Sunny Min-Sook Hitt
Broadway Bias Wrecker
Christine Mok
Issue Three: Events
December 16, 2022
“The coolness of the job gives you permission to put yourself in second place.”
Barbara Samuels (she/her)
Back to Back 15 Hour Workdays are Considered Illegal in Most Industries, But Not EVENTS
Tura Oliveira
Post-post-irony in EVENTS
Laurel Atwell
Issue Four: Public Obscenities
March 9, 2023
I’m in Kolkata, Again
Ankita Raturi
Beyond “being seen”: On being seen, heard, smelled, and felt by Public Obscenities
Bedatri D. Choudhury
A Bounty of South Asian American Theater: Reflections on Public Obscenities and Elyria
Sharbari Ahmed
Issue Five: National Capital New Play Festival
April 21, 2023
When Women Leave
Jordan Ealey
Women’s Work: Mary Kathryn Nagle’s On the Far End and Morgan Gould’s Jennifer Who is Leaving
Soyica Diggs Colbert
Seeing the Work in Jennifer, Who Is Leaving and On the Far End
Jared Strange
Issue Six: This Land Was Made
June 9, 2023
Making a New Land
Eisa Davis
Tracing the Tracks: On Music and Memory in This Land Was Made
Andrea Hiebler
This Land Was Made Taps into History’s Well
Gloria Oladipo
Issue Seven: The Welcoming
July 28, 2023
Walking Up to Meet You
LeeAnn Dowd
A Review of THE WELCOMING from 10-year-old Wakes Wilner
Wakes Wilner
Remembering the Welcoming
Julius Ernesto Rea
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